Step Out on Nothing Read online

  Step Out on Nothing

  Step Out

  on Nothing

  How Faith and Family Helped

  Me Conquer Life’s Challenges

  BYRON PITTS

  ST. MARTIN’S PRESS NEW YORK

  STEP OUT ON NOTHING. Copyright © 2009 by Byron Pitts. All rights reserved. Printed in the United States of America. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010.

  Permission to reprint excerpts of CBS News transcripts granted as follows: Pages 194–196 © 2001 CBS Broadcasting Inc.; All Rights Reserved; originally broadcast on THE CBS EVENING NEWS on November 12, 2001, over the CBS Television Network

  Pages 220–221 © 2003 CBS Broadcasting Inc.; All Rights Reserved; originally broadcast on THE CBS EVENING NEWS on April 9, 2003, over the CBS Television Network

  www.stmartins.com

  Book design by Phil Mazzone

  Library of Congress Cataloging-in-Publication Data

  Pitts, Byron.

  Step out on nothing : how faith and family helped me conquer life’s challenges / Byron Pitts.—1st ed.

  p. cm.

  ISBN 978-0-312-57766-7

  1. Pitts, Byron. 2. Baptists—United States—Biography. 3. Television journalists—United States—Biography. I. Title.

  BX6455.P38A3 2009

  277.3'082092—dc22

  [B]

  2009019891

  First Edition: October 2009

  10 9 8 7 6 5 4 3 2 1

  This is a true story, though a few names

  and details have been changed.

  To my mother, Clarice Pitts;

  my sister, Saundra Judd;

  and my brother, William M. Pitts.

  God’s brought us a mighty long way.

  Contents

  Introduction

  ONE

  Mustard Seed Faith—With It

  You Can Move Mountains

  TWO

  Keep Your Head Up

  THREE

  Quiet Discipline

  FOUR

  Who’s Got Your Back?

  FIVE

  The Hands That Pull You Up

  SIX

  Letters from Home

  SEVEN

  An Angel from Estonia

  EIGHT

  Never Say I’ll Try, Say I Will

  NINE

  It Never Gets Easier—You Just Get Stronger

  TEN

  Valley of the Shadow of Death

  ELEVEN

  Love the Least of Us

  TWELVE

  The Power of Prayer and Optimism

  THIRTEEN

  The Power of Forgiveness:

  When Father and Son Talk as Men

  Epilogue

  Acknowledgments

  Index

  Step Out on Nothing

  Introduction

  New York City

  IN FIVE, FOUR, THREE, two . . .” This wasn’t the first time a floor director had ever counted me down, but it was the first time I ever choked back tears. It was August 25, 2006, my first on-camera studio open for the CBS News broadcast 60 Minutes. Moments earlier I’d been in makeup with famed artist Riccie Johnson. She’d done up the likes of Mike Wallace, Harry Reasoner, Morley Safer, Dan Rather, Ed Bradley, Lesley Stahl, Steve Kroft, and every other big-name correspondent who ever worked for 60 Minutes. And the Beatles. And now she was putting powder on me.

  Executive Producer Jeff Fager poked his head in the dressing room, “Good luck, Brotha! You’ve come a long way to get here. You’ve earned it.” I think Jeff was talking about my ten years of covering hurricanes, tornadoes, politics, the September 11 disaster, wars in Afghanistan and Iraq, and every other sort of story for CBS News during those years.

  If he only knew. My mind flashed back to elementary school, when a therapist had informed my mother, “I’m sorry, Mrs. Pitts, your son is functionally illiterate. He cannot read.”

  Months earlier, another so-called expert had suggested I was mentally retarded. Perhaps there was a “special needs” program right for me. Here I was some three decades later sitting in the “special” chair of the most revered show in the history of broadcast news. Musicians dream of playing Carnegie Hall, astronauts work a lifetime to take their first mission in space, and every broadcast journalist worth his or her salt dreams of 60 Minutes.

  Engineers generally keep television studios icy cold to prevent the equipment from overheating. The 60 Minutes studio is no different. But in this age of high-tech sets with massive video walls and graphic trickery, Studio 33, where 60 Minutes is taped, looks more like a throwback. You can almost smell the cigar smoke from decades past. Black-covered walls. Bright lights hanging from the ceiling. There’s one camera and one chair. As a correspondent, you sit in the chair, cross your legs, look into the camera, and tell a story.

  “Take two. In three, two, one!”

  Seven takes later I finally recorded one that everybody liked. It took a while—not so much to settle my nerves as to get everyone settled in that one chair. Sitting with me were my mother, Clarice Pitts; my grandmother, Roberta Mae Walden; my sister, Saundra; and my brother, Mac. We had made the journey as a family, with the help of a few friends and even a few strangers.

  What an overwhelming feeling it was and the symbolism was not lost on me.

  That afternoon, to all who could see, I was seated alone. But I knew better. Some thirty-seven years before I would ever hear the phrase “Step Out on Nothing,” God was writing those words to cover my life. How many times has each of us been in a difficult place and thought we were alone? Standing on nothing. Perhaps it is only in the empty space of those moments we can truly feel God’s breath at our necks. His hands beneath our feet. Step out on nothing? Yes. Step out on faith.

  So where did I get the title for this book? Step Out on Nothing. What does it mean and how does it fit into my life? Most important, how do you find the courage to try it?

  I first heard those fateful words on a Sunday in March of 2007, Women’s Day at St. Paul Baptist Church in Montclair, New Jersey. My wife was excited. She’d helped with the weekend program. Me, not so much. As usual I was running late for service and she was getting annoyed. We arrived at church in time. The place was packed. Women all dressed in white and black. The guest preacher that morning was Reverend Benita Lewis. She began her sermon by talking about the pain women will endure to be beautiful. She talked about pedicures, high-heeled shoes, and women’s sore feet. I thought to myself, This is going to be a long service. Nothing here for me. And it got worse. She moved from pedicures to massages and spa treatments. Body wraps to skin treatments. At that point I was drifting away. It felt as if we’d been in church for hours. But Reverend Lewis was just warming up, and I soon discovered that she wasn’t speaking only to the women in the congregation. She was telling all of us about overcoming pain and obstacles in our paths. She was talking about a belief in God, a faith so strong that anything is possible. Then Reverend Lewis uttered four words that took my breath away. “Step out on nothing.” She encouraged the congregation to “step out on faith” in this journey we call life. To put your life and its challenges in God’s hands. To believe in a power greater than yourself.

  Step out . . . on nothing . . .

  In the time it takes to say those four words, a lifetime flashed before me. She was speaking about my life. How had I overcome my childhood inability to read when I was nearly a teenager? It was my mother stepping out on nothing, despite the doubts she must have had during the nights around the kitchen table when I “just wasn’t getting it.”

  And how do you explain an inner-city kid who stuttered until he was twenty years old becoming a network television news correspondent? Let’s start with a colleg
e professor who didn’t even know my name. She stepped out on nothing and believed in a young man who didn’t believe in himself.

  Then there’s Peter Holthe: a stranger. A college classmate from Minnetonka, Minnesota. “Why’s your vocabulary so limited?” he asked. He stayed around to find out why and helped expand it.

  Those Franciscan Friars at Archbishop Curley High School in Baltimore, Maryland, who heard I was in a gospel choir at a church across town. These were white men who’d never ventured into a black neighborhood or set foot in a Baptist church. They too stepped out on nothing, figuring that being supportive of one of their students after hours might actually make a difference in his life.

  We all have those defining moments in our lives. Moments of great joy. Moments of unspeakable sadness and fear. We usually think we’re alone. But if we look into the corners of our memories, we’ll find them—those people who had faith in us. Those times when a grace beyond earthly understanding touches us.

  This is a story of those times. Those people. And the lessons they taught me. We’ve all had such people in our lives. If not, it’s time to find them.

  And for me, this story is my “step out on nothing,” revealing a childhood shame that I’ve hidden from all but those who are closest to me, in hopes that my leap of faith will inspire some young child, or even an adult, who is living with a secret. It took me years to discover my shame was actually a source of strength.

  ONE

  Mustard Seed Faith—With It

  You Can Move Mountains

  Because you have so little faith, I tell you the truth, if you have faith as small as a mustard seed, you can say to this mountain, “Move from here to there,” and it will move. Nothing will be impossible for you.

  —Matthew 17:20

  1969 Baltimore

  AT AGE NINE I was a fourth-grader in a Catholic school, and the only whore I had ever heard of was the lady in the Bible. That was until one day when, dressed in my school uniform of blue pants, white shirt, and gray and blue striped tie, my mom picked me up and we set out on one of the defining adventures of my young life.

  “Get in the car! We’re going to that whore’s house!”

  It couldn’t have been more than a ten-minute ride. My mother, who loves to talk, never said a word. We drove up on a busy street lined with row houses, each tipped with Baltimore’s famed three-marble steps. I’ve never considered my mom an athlete, but that day she pushed at the driver’s side door like a sprinter leaping off the starting block and quickly made her way to a house with a narrow door and a small diamond-shaped window. She rang the doorbell several times. A pretty woman with long curly brown hair finally answered the door. I was struck by how much she resembled my mother.

  “Tell my husband to come out here,” my mother yelled.

  The woman answered, “I don’t know what you’re talking about” and slammed the door.

  I could see the rage building in my mother’s fists and across her face. She backed off the steps and screamed toward a window on the second floor,

  “William Pitts! You son of a bitch! Bring your ass outside right now!”

  There was dead silence. So she said it again. Louder. If no one inside that house could hear her, the neighbors did. People on the street stopped moving; others started coming out of their homes. My mom had an audience. I stood near the car, paralyzed by shame. Figuring it was her message and not her volume, my mother came up with a new line.

  “William Pitts! You son of a bitch! You come outside right now or I will set your car on fire!”

  He apparently heard her that time. Much to my surprise, my father, dressed only in his pants and undershirt, dashed out of that house as my mother made her way to his car. She ordered me to move away from her car and get into my father’s car. I did. My father was barefoot, and he slipped as he approached my mother. She picked up a brick and took dead aim at my father’s head. She missed. He ran to the other side of his car. She retrieved the brick and tried again. She missed. He ran. My parents repeated their version of domestic dodge ball at least a half dozen times. It must have seemed like a game to the gallery of people who watched and laughed. I never said a word. In the front passenger seat of my father’s car, I kept my eyes straight ahead. I didn’t want to watch, though I couldn’t help but hear. My parents were fighting again, and this time in public.

  Eventually, my father saw an opening and jumped into the driver’s seat of his car. Fumbling for his keys, he failed to close the door. My mother jumped on top of him. Cursing and scratching at his eyes and face, she seemed determined to kill him. I could see her fingers inside his mouth. Somehow my father’s head ended up in my lap. The scratches on his face began to bleed onto my white shirt. For the first time since my mother picked me up from school, I spoke. Terrified, I actually screamed.

  “Why! What did I do? Wha-wa-wa-wa-wut!”

  I’m sure I had more to say, but I got stuck on the word what. Almost from the time I could speak, I stuttered. It seemed to get worse when I was frightened or nervous. Sitting in my dad’s car with my parents’ weight and their problems pressed against me, I stuttered and cried. It seemed odd to me at that moment, but as quickly and violently as my parents began fighting, they stopped. I guess it was my mother who first noticed the blood splattered across my face and soaked through my shirt. She thought I was bleeding. In that instant, the temperature cooled in the car. It had been so hot. My parents’ body heat had caused the three of us to sweat. Fearing they had injured me, my parents tried to console me. But once they stopped fighting, I did what I always seemed to do. I put on my mask. I closed my mouth and pretended everything was all right.

  I was used to this—there had been a lot of secrets in our house. My father had been hiding his infidelity. Both parents were putting a good face on marital strife for their family and friends. You see, almost from the time Clarice and William Pitts met, he was unfaithful. Women on our street, in church, those he’d meet driving a cab, and the woman who would eventually bear him a child out of wedlock. I have only known her as Miss Donna. Clarice may have despised the woman, but if ever her name came up in front of the children, she was Miss Donna. The car ride was a tortured awakening for me, but it was just the beginning. The picture our family showed the outside world was beginning to unravel, and when all our secrets began to spill into the open, on the street, in the classroom, and in our church, none of our lives would ever be the same.

  My mother was accustomed to hard times. Clarice Pitts was a handsome woman, with thick strong hands, a square jaw, cold gray eyes, and a love for her children bordering on obsession. Her philosophy was always: “If you work hard and pray hard and treat people right, good things will happen.” That was her philosophy. Unfortunately, that was not her life.

  Clarice was the second of seven children born in a shotgun house in the segregated South of Apex, North Carolina, on January 1, 1934. By mistake, the doctor wrote Clarence Walden on her birth certificate, and until the age of twelve, when she went for her Social Security card, the world thought my mother was a man. Truth be told, for three-quarters of a century, she’s been tougher than most men you’d meet. Her father, Luther Walden, was by all accounts a good provider and a bad drinker. He’d work the farm weekdays, work the bottle weekends. Her mother, Roberta Mae, was both sweet and strong. Friends nicknamed her Señorita because she was always the life of the party, even after back-breaking work. All the kids adored their mother and feared their father. On more than a few occasions, after he’d been drinking all day, her father would beat his wife and chase the children into the woods.

  At sixteen, Clarice thought marriage would be better than living at home, where she was afraid to go to sleep at night when her father had been drinking. So she married a man nearly twice her age (he was twenty-nine), and they had one child, my sister, Saundra Jeannette Austin. People thought that since Clarice married a man so much older she would have a ton of babies. But she was never one to conform to others’ expectations.
She promised herself never to have more children than she could care for, or a husband that she couldn’t tolerate. He never raised his hand to her. He did, however, have a habit of raising a liquor bottle to his mouth. She divorced him three years later, and by the mid-1950s she and my sister had started a new life in Baltimore, Maryland, which held the promise of a better education and a better job than was available to her in the South.

  She finally thought life had given her a break when she met William Archie Pitts. They met in night school. “He was a real flirt, but smart,” she said. In 1958 William A. Pitts could have been Nat King Cole’s taller younger brother. He was jet black with broad shoulders; his uniform of choice a dark suit, dark tie, crisp white shirt, a white cotton pocket-square, and polished shoes. He dressed like a preacher, spoke like a hustler, and worked as a butcher. Clarice looked good on his arm and liked being there even more. He was ebony. She was ivory, or as Southerners said back then, she was “high yellow.” My father had been married once before as well. His first wife died in childbirth, and he was raising their son on his own.

  After a whirlwind romance of steamed crabs on paper tablecloths and dances at the local Mason lodge, the two married. A short time later, I was born on October 21, 1960. There was no great family heritage or biblical attachment associated with my name. They chose my name out of a baby book. My mother simply liked the sound of it. One of the few indulgences of her life in the early 1960s was dressing her baby boy like John F. Kennedy Jr. She kept me in short pants as long as she could. She finally relented when I started high school. Just kidding. But to me it certainly felt as if she held on until the last possible moment.

  Life held great promise for William and Clarice Pitts in the 1960s. The year after I was born, Clarice finished high school and later graduated college the year before my sister earned her first of several degrees. She worked in a few different sewing factories in Baltimore. She took on side jobs making hats for women at church and around the city. Both of my parents believed God had given them a second chance. Almost instantly William and Clarice Pitts had a family: two boys and a daughter. My parents bought their first and only home together at 2702 East Federal Street.